University of Wisconsin–Madison
Aerial photo of the Camp Randall end zone during a Badger game with the stands filled with fans dressed in red

Photography

Photography is a critical tool for capturing the spirit of UW–Madison and the unparalleled atmosphere on campus. Words and visuals should work together to tell our story and to evoke strong feelings of pride, nostalgia, and affiliation.

Establish style and tone in your photography

Our visuals should be as authentic, vibrant, and active as our campus. Focus on capturing genuine moments, natural light, and meaningful settings that tell honest stories and showcase our true identity.

Group of students smiling and laughing while participating in ice breaker activity.

Authentic and candid

When possible, prioritize natural, unscripted moments that tell real stories. If a photo is composed, create a genuine and realistic scenario that generates candid moments with an authentic feel.

Two students working with circuit breadboards attached to laptops.

Bright and optimistic

Favor well-lit compositions with a positive, forward-looking mood. Use natural light sources, including backlighting, to create a feeling of warmth. If supplemental lighting is needed, it should add to or mimic natural lighting.

Four people standing on rock in prairie holding binoculars and yellow handheld device, collecting research data on bird populations.

Contextual

Photograph subjects in their natural environment to reinforce storytelling elements. Use campus architecture, clothing, and landmarks to subtly reinforce brand identity in visuals.

Compose each image with intention

Use framing, depth, and clean backgrounds to direct the viewer’s eye and build clear, compelling stories that make layouts shine.

Person sitting in grassy area surrounded by autumn-colored leaves, working on laptop.

Rule of thirds

Use balanced framing that guides the eye, and consider leaving open areas in the frame for incorporating text overlays in design layouts.

Two people in white lab coats working in laboratory while one person holds clear plastic container with testing samples.

Depth and perspective

Use depth of field intentionally to distinguish subjects from distracting background elements when needed. Be mindful of the foreground, middle ground, and background, and control them to create dynamic images.

Person glassblowing in vibrant studio with neon signs and eclectic decor.

Focus and clarity

Keep the subject sharp with a clean, uncluttered background.

Ensure accuracy when editing

Photo editing

Technology has made it easy to alter photographs. People can use computer programs to remove, add, or move elements in a photograph without detection. Although some of these alterations may seem harmless, when communicators cross the line of changing content, they jeopardize their readers’ trust. A photograph is perceived as an accurate recording of an event.

  • A photo’s content—the positions and appearance of people and objects—shouldn’t be manipulated.
  • Alteration of a photograph that misleads, confuses, or otherwise misrepresents its accuracy is prohibited.
  • Enhancing the technical quality of a photograph is acceptable, but changing the meaning is not.

Review the Use of Visuals policy and Use of imagery guidance for more specific guidelines. When a question arises, consult the Office of Strategic Communication staff.

Acceptable examples

  • Electronic equivalents of established practices for traditional darkroom printing methods—lightening, darkening, toning, and cropping, for example—as long as the content and meaning aren’t changed.
  • Color and tonal correction are needed to ensure the accurate reproduction of the original photograph.
  • To achieve better reproduction, technical touch-up of images for color-balancing or removing flaws (such as dust spots, scratches, digital noise, artifacts, etc.).
  • Routine cropping is not considered to be an alteration. However, there is a possibility of changing reader perception with creative cropping. When cropping, keep the modified version accurate to the intent of the original photo.
  • Conversion of a color image to black and white.

Not acceptable examples

  • Content alteration—moving, adding, deleting, combining, stretching, flipping, shrinking, or any other adjustment that would misrepresent the image’s original context.
  • Alteration of someone’s physical identity.

Photo collections

The homepage of PhotoShelter, the Office of Strategic Communication's photo and video library, depicting a photo of Bascom Hall.

UW Photo and Video Library

The Office of Strategic Communication photographers create and curate thousands of campus images each year, with both timely editorial and lasting promotional uses in mind. More than 20,000 high-resolution photos, with caption context and credits, are available to campus units for free download on the UW Photo and Video Library.

Note: Much of the content in the library is created in an editorial context, so model releases are not available for many of the images in the collection. These images should not be used for marketing purposes without obtaining permission from any individuals depicted in an image.

Our office is expanding its efforts to create marketing-focused content that includes model releases for the people depicted. Those specific images are available in a dedicated Brand- and Marketing-Focused Gallery in the UW Photo and Video Library, which can be accessed directly here: Brand and Marketing-Focused Photos

Policies and guides

Large crowd of people at night in a stadium holding up red glow sticks in the shape of a W.

The policy outlines standards for creating and using videography, photography, and other visuals for marketing and communications.

Hand holding a camera facing a blurred red and white background.

Approved vendors, including freelance and work-for-hire photography, as well as campus services are available. Explore fee-based options.

Person working on red laptop decorated with University of Wisconsin–Madison decals.

The guide offers best practices when creating photo and video for a variety of uses.